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Lise Tautin (born Louise Vaissière,〔Yon, Jean-Claude. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000.〕 Paris in 1836, died Boulogne, May 1874), was a French soprano, associated with the opéra-bouffe in Paris in the middle of the 19th century, particularly the works of Offenbach.〔Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994.〕 ==Life and career== Having been spotted by Offenbach at the Grand Théâtre de Lyon, Tautin made her debut with the Bouffes-Parisiens as Aspasie in ''Une demoiselle en loterie'' in July 1857 and was a big success with critics and the audiences.〔 She also sang Fanchette in ''Le mariage aux lanternes'' (1857), Crout-ou-pôt in ''Mesdames de la Halle'' (1858), Minette in ''La chatte métamorphosée en femme'' 1858 - her incarnation of both girl and cat was praised, and Eurydice in ''Orphée aux Enfers'' (1858 and 1860 revival), where her ‘Hymne a Bacchus’ was encored, or often sung three times at each performance. Then followed Rosita in ''Un mari à la porte'' (1859), Gratioso and other roles in the first version of ''Geneviève de Brabant'' (1859), Les Bouffes-Parisiens in ''Le carnaval des revues'' (1860), Catarina in ''Le pont des soupirs'' (1861), and Ernestina in ''M. Choufleuri restera chez lui le . . .'' (1861). She visited Vienna with the Bouffes-Parisiens in the summer of 1861, during which she created La Sincère in ''Les bergers''.〔 In the spring of 1862 she starred in ''La boite au lait'' at the Théâtre des Variétés. Tautin took over title role for some performances of ''La belle Hélène'' in 1865. She was taken ill returning from a tour to Constantinople in 1874.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Lise Tautin」の詳細全文を読む スポンサード リンク
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